: Because the film mimics the cycle of obsession—waiting, meeting, and more waiting—some viewers find the pacing slow or the narrative repetitive.
: Dosch is the heart of the film. She portrays Hélène’s vulnerability and desperation without making the character feel weak. Her performance captures the "trance-like" state of someone living only for their next romantic encounter. : Because the film mimics the cycle of
The story follows Hélène (played by Laetitia Dosch) as she enters a consuming affair with Aleksandr (Sergei Polunin). The film avoids traditional subplots, instead centering on Hélène's state of mind as she waits for Aleksandr’s calls, prepares for their meetings, and deals with the hollow ache of his absence. It is less about the man himself and more about the "passion" he inspires in her. Her performance captures the "trance-like" state of someone
: Sergei Polunin’s character is intentionally elusive and cold, serving more as an object of Hélène's desire than a fully realized character. This can make the central connection feel one-sided to some audiences. Final Verdict It is less about the man himself and
: Fans of Annie Ernaux's writing generally praise the film for capturing the book's clinical yet raw look at desire. It doesn't judge the protagonist; it simply observes her. Critiques
is a sophisticated, adult look at how love can become an addiction. It is recommended for viewers who prefer character-driven "slow cinema" and stories that dive deep into the complexities of human emotion rather than fast-paced plots.