The piece highlights sensory data that usually goes unnoticed—what Samama calls "background noise"—precisely because these elements are what anchor us to reality.
is an evening-length performance piece by choreographer and performer Michal Samama that explores the temporal and spatial aspects of bodily experience. This "deep guide" breaks down the work’s philosophical foundations, its core components, and the unique artistic language Samama employs to turn the periphery of our daily existence into a focused performance event. 1. Conceptual Foundation: The "Background Noise" of Life michal_samama_-_background_materials (Original)...
Samama often morphs into the materials she uses. For example, she may use her fingers like "fishhooks" to distort her face into a snout, blurring the line between human and animal/object. The piece highlights sensory data that usually goes
This piece is a central part of Samama's broader portfolio, which exists at the intersection of dance, theatre, and visual art. Michal Samama Background Materials This piece is a central part of Samama's
The work is rooted in the philosophy of , specifically the idea that "to be a body is to be tied to a world".
The performance emphasizes the literal feel of materials—the squeak of plastic against skin or the friction of a body against a white brick wall. 4. Historical Context & Performance Sites
The work was notably performed at The Chocolate Factory Theater in Long Island City in 2014.