El_nahualli_the_shadow_soul May 2026

The track is built on an oblong bass ostinato performed by Kim Cass, which provides a steady yet complex foundation for the melody to glide over.

commends it for envisioning the "rampage of a mythic beast," solidifying Brennan's place among modern vibraphone greats.

describes the track as "brazen" and part of a "fevered animation" that defines the record. el_nahualli_the_shadow_soul

Brennan utilizes electronic effects and pitch-bending on her vibraphone, creating unusual "squiggles and slides" that critics have compared to the work of avant-jazz guitarist Mary Halvorson.

highlights it as one of the few tracks on the album with enough concentrated energy to capture immediate interest. The track is built on an oblong bass

The track showcases the tight interplay of a unique percussion-heavy ensemble featuring Marcus Gilmore (drums) and Mauricio Herrera (percussion), delivering what reviewers call a "visceral meteor collision" of sound. Critical Reception

com/release/more-touch/">tracks from the More Touch album or see how Brennan's style evolved in her follow-up, ? NEWS - PATRICIA BRENNAN Brennan utilizes electronic effects and pitch-bending on her

Critically recognized as one of the most upbeat and energetic tracks on the album, "El Nahualli" serves as a masterclass in modern improvisational jazz. It is praised for its "mystical qualities" and its ability to blend Mexican folk influences with avant-garde experimentation.