He selected all the curves and hovered his mouse over the "Generate Mesh" button in the new plugin. "Don't crash, don't crash," he whispered. He clicked.

In an instant, the wireframes vanished, replaced by perfectly smooth, manifold geometry. The mesh flowed along the curves like water, creating flawless stone ribs that met at the center of the ceiling with surgical precision. It was beautiful. It was clean. It was exactly what he had spent seventy-two hours failing to do.

Elias leaned back in his chair, a grin spreading across his face. The sun was just starting to peek through his real-world window. He wasn't tired anymore. With , he didn't just have a new file; he had his weekend back.

It was 2:00 AM on a Tuesday, and Elias was staring at the skeletal remains of a digital gothic cathedral. He had spent the last three days trying to hand-model the intricate rib vaulting and the sweeping, organic arcs of the stone ceilings. Every time he tried to extrude a face or bridge a gap, the geometry turned into a "topological nightmare"—a mess of overlapping polygons and jagged edges that would never render correctly.